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      <image:title>history - What are the digital humanities — and what do they do all day?</image:title>
      <image:caption>Photo by Clay Banks via Unsplash</image:caption>
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    <loc>https://epsimonds.com/history/but-first</loc>
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      <image:title>history - But first, let me introduce myself.</image:title>
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    <loc>https://epsimonds.com/history/why-i-do-history</loc>
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      <image:title>history - Why I “do” history</image:title>
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  <url>
    <loc>https://epsimonds.com/history/creating-place-based-histories</loc>
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    <lastmod>2020-12-02</lastmod>
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      <image:title>history - The mobile revolution and creating place-based histories</image:title>
      <image:caption>Netwerk 24 news clipping: “Grandma does the Charleston on her 100th birthday” by Jackie Kruger</image:caption>
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    <image:image>
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      <image:title>history - The mobile revolution and creating place-based histories</image:title>
      <image:caption>The Longbotham Buildings “Rex is King” ghost sign. Photo by Axle Olson / Spokane Historical</image:caption>
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  <url>
    <loc>https://epsimonds.com/history/bringing-data-to-life</loc>
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    <lastmod>2021-01-05</lastmod>
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      <image:title>history - Bringing data to life</image:title>
      <image:caption>Florence Nightingale’s “rose diagrams” — simple, impactful design.</image:caption>
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    <image:image>
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      <image:title>history - Bringing data to life</image:title>
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  <url>
    <loc>https://epsimonds.com/history/porcine-problems</loc>
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    <lastmod>2021-01-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1609878560614-Y0PNJGPGT8LF6T6DO0BZ/alasdair-elmes.jpg</image:loc>
      <image:title>history - #porcineproblems</image:title>
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    <image:image>
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      <image:title>history - #porcineproblems</image:title>
      <image:caption>American Camp (Photo: Chris Light, Wikipedia Commons)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1609878451581-5KDJABHBCSQQMRSMAE53/Oregoncountry-edited-1-e1603231337829.png</image:loc>
      <image:title>history - #porcineproblems</image:title>
      <image:caption>Oregon Country’s disputed territory. (Photo: Wikipedia Commons)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1609878478830-JGIK935FPK5WZYM5LZQ9/Columbiarivermap+%281%29.png</image:loc>
      <image:title>history - #porcineproblems</image:title>
      <image:caption>The Columbia River and its tributaries. (Photo: Wikipedia Commons)</image:caption>
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    <image:image>
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      <image:title>history - #porcineproblems</image:title>
      <image:caption>British Camp (Photo: Chris Light, Wikipedia Commons)</image:caption>
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  <url>
    <loc>https://epsimonds.com/history/ofmermaidsandmachines</loc>
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    <lastmod>2021-01-05</lastmod>
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      <image:title>history - Of mermaids and machines</image:title>
      <image:caption>An image of Ann Gough’s conduct record. Source: Libraries Tasmania.</image:caption>
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      <image:title>history - Of mermaids and machines</image:title>
      <image:caption>Don’t freak out. It’s just a yard. (Photo: Wikimedia Commons)</image:caption>
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    <image:image>
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      <image:title>history - Of mermaids and machines</image:title>
      <image:caption>A still from Aiden and Michel’s TEDx Talk, “What we learned from 5 million books.”</image:caption>
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  <url>
    <loc>https://epsimonds.com/history/podcast-condemned-women</loc>
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    <lastmod>2024-07-07</lastmod>
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  <url>
    <loc>https://epsimonds.com/history/narrative-storytelling</loc>
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    <lastmod>2021-04-29</lastmod>
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      <image:title>history - Graphic Histories No. 1: Visual storytelling</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1610645197041-T06HXEQ1VSRXYRQPJAZ9/making-comics-notes</image:loc>
      <image:title>history - Graphic Histories No. 1: Visual storytelling</image:title>
      <image:caption>Notes and exercises from Making Comics by Linda Berry. Her method focuses on learning to convey meaning through drawings—and discover new meaning in the drawings themselves.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1610644703278-FRYBF63HF3WH7RCRVRXK/Unflattening-visual-annotation</image:loc>
      <image:title>history - Graphic Histories No. 1: Visual storytelling</image:title>
      <image:caption>Visual annotation of a page of Unflattening by Nick Sousanis. I loved this page for a few reasons: 1) the panels flowing into each other, 2) the way the visuals guide you naturally to read in a zig-zag pattern, 3) a variety of graphic styles used on a single page (which I probably wouldn’t do, but find fun), and 4) white space instead of lines as panel dividers.</image:caption>
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    <loc>https://epsimonds.com/history/graphic-histories-no-2-historical-storytelling</loc>
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    <lastmod>2021-04-29</lastmod>
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      <image:title>history - Graphic Histories No. 2: Historical Storytelling</image:title>
      <image:caption>This week’s graphic journaling exercise: Questionable attempts at drawing some of the protagonists from The Three-Cornered War by Megan Kate Nelson. The giant-ness of James Carleton’s head may not be quite historically accurate.</image:caption>
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  <url>
    <loc>https://epsimonds.com/history/graphic-histories-no-3-narrative-structure</loc>
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    <priority>0.5</priority>
    <lastmod>2021-04-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1611851422916-SK16QWUHN9UU2QL1S3O6/Creating+Graphic+Histories.png</image:loc>
      <image:title>history - Graphic Histories No. 3: Narrative Structure</image:title>
      <image:caption>Cover for the “Creating Graphic Histories” slide deck by Annie Wrights, Trevor Getz, B. Erin Cole, Aubrey Nolan, and Joe Schmidt.</image:caption>
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      <image:title>history - Graphic Histories No. 3: Narrative Structure</image:title>
      <image:caption>Visual Annotation of “Creating Graphic Histories” slide no. 30, a sample from the graphic history The Interesting Narrative of Olaudah Equiano.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1611856810012-JVER5EIJ5Y3JBCAYO984/Creating+Graphic+Histories.png</image:loc>
      <image:title>history - Graphic Histories No. 3: Narrative Structure</image:title>
      <image:caption>“Creating Graphic Histories” slide no. 26.</image:caption>
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    <image:image>
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      <image:title>history - Graphic Histories No. 3: Narrative Structure</image:title>
      <image:caption>Cover for Narrative Structure in Comics: Making Sense of Fragments by Barbara Postema</image:caption>
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  <url>
    <loc>https://epsimonds.com/history/graphic-histories-no-4-atomic-histories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1612469772385-QBY33ARWVJN5Z81RALKE/Doom-towns-outline</image:loc>
      <image:title>history - Graphic Histories No. 4: Atomic Histories</image:title>
      <image:caption>Doom Towns p. xxviii: A sample of Kirk’s outline and the resulting page of artwork.</image:caption>
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    <image:image>
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      <image:title>history - Graphic Histories No. 4: Atomic Histories</image:title>
      <image:caption>From my sketchbook: Oppenheimer’s quote arc in a nutshell.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1612464904487-ICZVBBKM9WWW4JMLNBN3/Oppie.jpg</image:loc>
      <image:title>history - Graphic Histories No. 4: Atomic Histories</image:title>
      <image:caption>From my sketchbook: A few of the visual elements Fetter-Vorm uses to build Oppenheimer’s character: A hat, a wardrobe, and a cigarette (which later becomes a pipe) make him recognizable. A focus on his eyes throughout the book shows a complex personality.</image:caption>
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  <url>
    <loc>https://epsimonds.com/history/graphic-histories-no-5-memoirs</loc>
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    <lastmod>2021-04-29</lastmod>
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      <image:title>history - Graphic Histories No. 5: Memoirs</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1613772060351-PD9QTP9Z202OF123XJH7/IMG_20210219_135134.jpg</image:loc>
      <image:title>history - Graphic Histories No. 5: Memoirs</image:title>
      <image:caption>Good Talk: A Memoir in Conversations, pp. 264 &amp; 265.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1613768825001-2DARA7THLEALJPHPR7OA/IMG_20210219_124240__01__01.jpg</image:loc>
      <image:title>history - Graphic Histories No. 5: Memoirs</image:title>
      <image:caption>Panels from p. 127 of They Called Us Enemy that demonstrate the absurdity of categorizing children as enemies of the state. Many panels from the internment camps show adults only up to their knees—the view a child might remember. Even in this image of everyone together, the children appear more cartoonish than the adults.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1613766578876-75TSDK4TBQSK958953P9/They+Called+Us+Enemy.jpg</image:loc>
      <image:title>history - Graphic Histories No. 5: Memoirs</image:title>
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    <image:image>
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      <image:title>history - Graphic Histories No. 5: Memoirs</image:title>
      <image:caption>In this collage spread (pp. 14 &amp; 15), Jacob draws a parallel between her own inquisitiveness throughout her life—the faces on p. 14 are hers at different ages—and her son’s constant questions.</image:caption>
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  <url>
    <loc>https://epsimonds.com/history/graphic-histories-no-6-wwii-stories-for-young-readers</loc>
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    <lastmod>2021-04-29</lastmod>
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      <image:title>history - Graphic Histories No. 6: WWII Stories for Young Readers</image:title>
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    <image:image>
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      <image:title>history - Graphic Histories No. 6: WWII Stories for Young Readers</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed94ffdde70405495bfa0a7/1619730089177-XQHQG2YL1GVXZVNHQNTV/IMG_20210312_115708.jpg</image:loc>
      <image:title>history - Graphic Histories No. 6: WWII Stories for Young Readers</image:title>
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    <image:image>
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      <image:title>history - Graphic Histories No. 6: WWII Stories for Young Readers</image:title>
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    <image:image>
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      <image:title>history - Graphic Histories No. 6: WWII Stories for Young Readers</image:title>
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  <url>
    <loc>https://epsimonds.com/history/san-juan-island-histories-roberts-rules</loc>
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    <priority>0.5</priority>
    <lastmod>2021-04-29</lastmod>
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      <image:title>history - San Juan Island Histories: Robert’s Rules</image:title>
      <image:caption>Building the Redoubt / Source: National Parks Service</image:caption>
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  <url>
    <loc>https://epsimonds.com/history/san-juan-island-histories-island-vice</loc>
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    <lastmod>2021-05-28</lastmod>
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      <image:title>history - San Juan Island Histories: Island Vice - Make it stand out</image:title>
      <image:caption>The nascent San Juan Village in 1859 // Source: San Juan Islander This story, written by me, was originally published at Island Histories: Stories of the San Juans on Dec 11, 2020. San Juan Town, sometimes called San Juan Village, quickly sprang up at Griffin Bay to meet soldiers’ demand for leisure activities during joint occupation. A reporter for the Daily Alta California, who visited the island in 1859, described a tiny “embryo” town of 20 or so buildings boasting such respectable establishments as a bakery, butchery, and grocer. The village, however, quickly became a red-light district filled with saloons, brothels, and liquor stores. With no formal government on the island, activities that would be illegal in either country’s jurisdiction flourished, drawing merchants, tourists, and settlers eager to enjoy—or profit from — abundant liquor trade and sex work. According to historical accounts, enterprising whiskey dealers brought women — mostly northern Native women — with them to the island to work as prostitutes. When U.S. General George Pickett arrived on the island in April 1860, he wrote, “This has become a depot for murderers, robbers, whiskey-sellers, in a word all refugees from justice.” Despite reservations about enacting a version of martial law on the island, generals representing each occupying country reached an arrangement whereby each military would govern their own nationals on the island, enabling them to control the liquor trade and prostitution to some extent. Still, the town “floated on a sea of bad whisky, prostitution, and lawlessness,” historian Mike Vuori writes, until the end of military occupation in 1872. The decades that followed ensured a continued reputation for lawlessness. Friday Harbor, incorporated in 1909, became home to canneries in an expansion of the region’s seafood trade, along with the farms and lime mining that boosted the island’s exports into the 20th Century. The boom soon faded, but the underbelly of the island’s trade—smuggling—endured. 1920’s Prohibition laws proved lucrative for the island’s smugglers, who were all too happy to add booze to their offerings.</image:caption>
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    <loc>https://epsimonds.com/history/tag/Graphic+Histories</loc>
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  <url>
    <loc>https://epsimonds.com/history/tag/Digital+History</loc>
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  <url>
    <loc>https://epsimonds.com/journalism</loc>
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    <lastmod>2024-07-16</lastmod>
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      <image:title>journalism - Spokane Coeur d'Alene Living Cover: 10 Hidden Hangouts You Must Discover</image:title>
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